Tear, Gelatin silver print, 48 x 60 inches, 2021
Untitled (Tree Void), 48 x 60 inches, Gelatin silver print, 2020
Voidpull, 16 x 20 inches, Gelatin silver print, 2020
Untitled, 40 x 50 inches, Gelatin silver print, 2021
Clouds I, 11 x 14 inches, Gelatin silver print, 2021
Crest, 40 x 50 inches, Gelatin silver print, 2021
The Grave of Love, 48 x 60 inches, Gelatin silver print, 2021
Untitled (Black Fly with Bodies), 60 x 48 inches, Gelatin silver print, 2021
Swallow, 24 x 30 inches, Gelatin silver print, 2021
Him, Shadow, 16 x 20 inches, Gelatin silver print, 2020
Rocks, 40 x 50 inches, Gelatin silver print, 2020
Hug, 16 x 20 inches, Gelatin silver print, 2020
Above Us Only Sky, 48 x 60 inches, Gelatin silver print, 2021
Installation view, Paul Soto, Los Angeles. L: Untitled (Tree Void), 48 x 60 inches, Gelatin silver print, 2021. R: Voidpull, 16 x 20 inches, Gelatin silver print, 2021.
Installation view, Paul Soto, Los Angeles. Clouds II, 24 x 30 inches, Gelatin silver print, 2021.
Untitled (diptych), 24 x 42 inches, Gelatin silver print, 2021
Installation view, Klaus von Nichtssagend Gallery, New York, 2021.
Installation view, Klaus von Nichtssagend Gallery, New York, 2021. L: Untitled (diptych), 16 x 41 inches, Gelatin silver prints, 2021. R: Untitled (Tree Void II), 20 x 24 inches, Gelatin silver print, 2021.
Installation view, Klaus von Nichtssagend Gallery, New York, 2021. Marriage (Sky, Horizon), 48 x 60 inches, Gelatin silver print, 2021
Installation view, Klaus von Nichtssagend Gallery, New York, 2021. L: Crest, 40 x 50 inches, Gelatin silver print, 2021. R: Piss, 20 x 24 inches, Gelatin silver print, 2021.
Installation View, Klaus von Nichtssagend Gallery, New York. From left to right: Untitled, 20 x 24 inches, The Grave of Love, 48 x 60 inches, Clouds I, 11 x 14 inches. All works gelatin silver print, 2021.
Installation View, Kendall Koppe Gallery, Glasgow. Swap, 40 x 50 inches, Gelatin silver print, 2021
Installation View, Kendall Koppe Gallery, Glasgow. From left to right: Kiss II, Suck, Untitled. All works 16 x 20 inches, Gelatin silver print, 2021.
Untitled, 30 x 24 inches, Gelatin silver print, 2021.
Installation View, Kendall Koppe Gallery, Glasgow. Untitled, 20 x 24 inches, Gelatin silver print, 2021
Mark Armijo McKnight (b. Los Angeles, CA) is an artist whose work has been exhibited internationally and written about in The New Yorker, the Los Angeles Times, Interview, GQ, Aperture, Art in America, Frieze, Artforum, The Brooklyn Rail, Mousse, and BOMB, among others. His work is held in the collections of the Victoria and Albert Museum, the J. Paul Getty Museum, the Los Angeles County Museum of Art, ICA Miami, the Carnegie Museum of Art, the Whitney Museum of American Art, the Henry Art Gallery, and the Columbus Museum of Art.
His first monograph, Heaven Is a Prison, was published in 2020, followed by Posthume, published by TBW Books in 2025. Armijo McKnight is a Fulbright Scholar and the recipient of the 2019 Aperture Portfolio Prize, the 2020 Light Work Photo Book Award, a 2020 Rema Hort Mann Emerging Artist Grant, and a 2023–24 Guggenheim Fellowship.
He is Assistant Professor of Expanded Photography at Rutgers University.
Represented by Klaus von Nichtssagend (New York)
Posthume (2025) published by TBW Books
Heaven is a Prison (2020) published by Loose Joints